Simon Van Booy has a way with words. A way with people, really. An observation of life that builds on a page like the slow, calculated movements of the constructs of an igloo. His stories offer a richness to life’s every day instances – love and loss, birth and death, the climbing and the falling of dreams.
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I was too hungry to notice when Joe Johnston walked through the door of Joe’s Farm Grill. It was later in the morning than I usually ate breakfast, and I was starving, wishing for everything on the menu. He made his way through the rest of the press guests, and finally arrived next to me, arm extended.
As a Midwest kid who grew up in a faith-heavy community, it almost felt a little sacrilege to read Christopher Moore’s Lamb. The story of Jesus’s teen years as told by his best friend, Biff, Lamb spins the story of the Messiah’s early life, before the healing and the leading and the fishes and the whatnot.
Bret Anthony Johnston’s outward appearance oozes fiction writer. You see his thick-rimmed glasses and often solemn photos and you think, Yup, this is what they’re all like. But Johnston (whose name sounds a little like a member of a boy band, doesn’t it?) is so much more than the scarf-wearing stereotype you might associate with the typical writer.
Jeffrey Morgenthaler, bartender extraordinaire.
More like Jeffrey the Grouch when I first met him in the Denver airport years ago.
If the name of a comic’s album gives us any insight into what to expect in his comedy, then Myq Kaplan’s albums titles are supremely helpful. There’s his most recent album – “Small, Dork, and Handsome” – along with “Meat Robot,” and “Vegan Mind Meld”, to name a few.